At The Edge of Things: Twenty-Four Photographers
August 25 through September 17, 2011 There is a Catherine Opie photograph of a group of surfers whose heads, like those of some decapitated martyrs set afloat, are just visible above the water’s surface, but there appears to be no edge to the setting they abide in. It is some nether world where endlessness is a category of punishment which the borders of the image can do nothing to contain. It was this encounter that set me to thinking about the possibility of an exhibition that would wander from the outlines of geometry to the limits of perception. Photography reinvented the edges of things when it entered the world outside the studio, isolating boundaries within an image, and drawing new ones with the frame. But it also proved capable of raising questions as to whether lines of demarcation are ever as precise as a surveyor’s plot might make them seem. Here, then, are a number of photographers whose work I have come to know as leading me to the brink, but never letting me fall. Stephen Vincent Kobasa |
Cat Balco, Net, 2009, Installation
October 2009 through February 2010 What if we sailed to Byzantium, as W.B. Yeats imagined? What if its shining walls looked like this? The lattice work lets in flashes of a glory just out of reach. It might be the record of a zoetrope's progress, the images in the turning cylinder here spun out across the surface. This New Haven artist's work is in place just across the city border. It would be worth going to another country to see it. And through its bright weaving, another country is what you will see. - Stephen Kobasa, "Object Lesson #48," New Haven Independent, 27 January 2010 |
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